
Konċessjonijiet jinkludu studenti, persuni bil-karta anzjan u Special ID holders (SID)
Concession tickets include students, senior citizens and Special ID Holders (SID).
It-traġedja passjonanti ta’ Giordano tintroduċi t-tenur stilla Piotr Beczała bħala l-poeta b’valuri sodi, li jsir vittma tal-intriċċi u l-vjolenza tar-Rivoluzzjoni Franċiża.
Wara is-suċċess reċenti f’Fedora ta’ Giordano, Beczała jerġa’ jingħaqad mas-soprana Sonya Yoncheva bħala l- maħbuba aristokratika ta’ Chénier, Maddalena di Coigny, flimkien mal-baritonu Igor Golovatenko bħala Carlo Gérard, l-aġent tas-saltna tat-terrur li jissiġilla d-destin tagħhom. Daniele Rustioni jieħu l-podju biex imexxi l-istadju qawwi ta’ Nicolas Joël.
Andrea Chénier huwa ssettjat f’Pariġi f’nofs id-dramma u t-taqlib tar-Rivoluzzjoni Franċiża. Billi jiffoka fuq individwi maqbuda f’mument storiku drammatiku b’mod selvaġġ, l-opra hija kemm umana kif ukoll epika fl-iskop tagħha. Ir-rwol tat-titlu huwa bbażat fuq interpretazzjoni fantasjuża tal-ħajja u l-mewt tal-poeta André Chénier (1762–94). Il-karattri ta’ Maddalena de Coigny u s-serv li sar rivoluzzjonarju Gérard, min-naħa l-oħra, huma invenzjonijiet drammatiċi.
Kompożitur: Umberto Giordano
Produzzjoni: Nicolas Joël
Disinjatur tas-Sett u tal-Kostumi: Hubert Monloup
Disinjatur tad-Dawl: Duane Schuler
Direttur tal-Kor: C. Graham Berwind, III Tilman Michael
Giordano’s passionate tragedy stars tenor Piotr Beczała as the virtuous poet who falls victim to the intrigue and violence of the French Revolution.
Following their celebrated recent partnership in Giordano’s Fedora, Beczała reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging.
Andrea Chénier is set in Paris amid the drama and turmoil of the French Revolution. By focusing on individuals caught up in a wildly dramatic moment in history, the opera manages to be both human and epic in scope. The title role is based on a fanciful interpretation of the life and death of the poet André Chénier (1762–94). The characters of Maddalena de Coigny and the servant-turned-revolutionary Gérard, on the other hand, are dramatic inventions.
Composer: Umberto Giordano
Production: Nicolas Joël
Set and Costume Designer: Hubert Monloup
Lighting Designer: Duane Schuler
C. Graham Berwind, III Chorus Director: Tilman Michael
December 9@7:30 pm
December 10@7:30 pm - December 11@9:30 pm
December 12@7:30 pm